The installation, “Amphibious Architecture,” devised with the architect
David Benjamin, stayed in the river for several months — a miniature
skyline bobbing and blinking in the reflected glare of the real thing.
With the piece, Jeremijenko was interested, she said, in “highlighting
what’s under this pretty reflective surface that enhances real estate
value but is actually a diverse, teeming habitat.” Viewers on land
alerted to the presence of fish could send them text messages care of an
SMS number. The fish then “responded” with texts of their own, chatting
about themselves and their surroundings: “Hey there! There are 11 of
us, and it’s pretty nice down here. I mean, Dissolved oxygen is higher
than last week. . . .”
At New York University, where she is a professor of visual art,
Jeremijenko had developed seaweed bars containing a PCB-chelating agent
that observers were encouraged to hurl into the river — food meant to
help rid the fish, and by extension, the water, of toxins. This snack
was formulated to taste “delicious” to fish and humans alike: if you
were feeling peckish, you could have what they were having. “It’s a very
visceral way of demonstrating that we share the same natural resources,
we eat the same stuff,” she once explained. “They’re not inhabiting a
different world.”
Read the whole five page story in the New York Times
http://www.nytimes.com/2013/06/30/magazine/the-artist-who-talks-with-the-fishes.html?pagewanted=1&_r=0
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